Please scroll down for a view of title covers

              SAGGI – ESSAYS

I          Origini della musica (2014)

II         Iniziazione e riti di passaggio (2011)

III       Chi sei? Chi sono? Alla ricerca dell’identità (2012)

IV       Maschere (2023)

V         Mito: tra utopia e verità (2012)

VIa     Origini delle religioni (2020)

VIb     The Origins of Religion (2023)

VII      Nascere e crescere da nomadi (2013)

VIIIa   Origini della scrittura (2020)

VIIIb   Décoder l'art préhistorique et l'origine de l'écriture (2021)

IX        Ordine e caos nelle società primarie (2014)

X         Comunicare per esistere (2016)

XI        Azores, a Visit to the Island of Terceira (2017)

XII      Guardare l’invisibile (2018)

XIII     Amore e sessualità (2018)

XIV     La typologie de l’art rupestre (2020)

XV       La Morte (2021)

XVI     Typology of Rock Art (2023)

XVII   Introduzione all'antropologia concettuale (2024)

XVIII  La Guerra Israele-Gaza (2024) 

COLLOQUI

I          I segni originari dell'arte (2012)

II         Espressioni dei popoli senza scrittura (2012)

III       What caused the creation of art? (2012)

IV       Sogno e memoria (2014)

V         Semiotica dell'arte preistorica (2014)

VIa      One Life in One Day (2015)

VIb     Una vita in un giorno (2018)

VII      WWW Rock Art (2015)

VIII    Etnogastronomia (2016)

IX        Art and Religion (2016)

X         Male and Female (2017)

XI         Why Art? (2017)

XII       Meaning of abstract signs (2017)

XIII     Colonization (2017)

XIV     Sexual images in prehistoric art (2017)

XV      The message behind the image (2019)

XVI     Cult Sites and Art (2021)

XVII    Myths and Memories (2021)

XVIII  The Function of Art (2021)

XIX      The Dominant Theme (2021)

XX        The Ages of Memory the Memory of Ages (2021)

XXI       Cultural Changes (2021)

XXII     Incontro tra antropologia e psicoanalisi (2021)

XXIII   The Role of Women in Prehistoric and Tribal Societies (2021)

XXIV    On the Diffusion of Culture (2022)

XXV      Myths Revealed by Art (2022)

XXVI    Cultural Identity (2022)

XXVII   Conceptual Trends and Conceptual Survival (2023)

XXVIII  Urbanization and Sedentarization (2023)

XXIX    Myths and Beliefs Unveiled by Rocks (2023)

XXX      Semiotic Decoding (2023)

XXXI    Reading the Language of Pictograms (2023)

XXXII   Images and Concepts (2023)

XXXIII  Behind the Image (2024)

XXXIV   Exploring the Roots (2024)

MONOGRAFIE – MONOGRAPHS

I          Is Har Karkom the biblical mount Sinai? (2013)

II         The Rock art of Spain and Portugal (2014)

III       The rock art of Azerbaijan (2015)

IV       The rock art of the Negev and Sinai (2015)

V         The rock art of Valcamonica (2015)

VI       World rock art (2015)

VII      Arte rupestre - Har Karkom (2015)

VIII    L’arte della tapa (2015)

IX        Esodo - tra mito e storia (2016)

IX        Exodus - Between Myth and History (2018)

X         Har Karkom e la questione del monte Sinai (2016)

XI        Radici della cultura (2017)

XII      The Riddle of Mount Sinai (2017)

XIII     The Rock Art of Tanzania (2018)

XIV     Har Karkom in the Negev Desert (2018)

XV      Arte rupestre dell'Australia (2019)

XVI     Il santuario paleolitico di Har Karkom (2020)

XVII   Decoding Prehistoric Art and the Origins of Writing (2020)

XVIII  The Bronze Age Sacred Sites of Har Karkom (2022)

XIX      Malta preistorica. Appunti per la ricerca di 8000 anni di storia (2022)

XXa     Spiriti di pietra (2022)

XXb     Spirits in Stone (2023)

XXI     Arte rupestre della Valcamonica (2023)

MOSTRE – EXHIBITIONS

I          Mito d’origine (2012)

II         L'arte degli aborigeni australiani (2015)

II         Bark Paintings - Australian Aboriginal Art (2015)

III       Dalla roccia alla tela (2015)

III       From Rock to Canvas (2015)  

           FICTION

I          Mito d’origine (2012)

II         Epoca dei sogni (2012)

III       La Seduta (2013)

ATELIER Saggi - Essays

ATELIER Colloqui

ATELIER Monographs - Monografie

ATELIER Exhibitions - Mostre

ATELIER Fiction